Album listening log
Hearing is a labor like reading
Hearing is a labor like keeping still
The ideal goal is 365 albums at the end of the year. A more realistic figure given past years is between 150 and 200 ambums, when work allows. For example, I reached 81 in 2023, and 196 in 2021 (I also log my personal yearly favourites). Depending on the circumstances I might take break periods where I listen to loose songs instead and try and catch up in other weeks. Here’s why I’m doing it, and some other questions regarding this log.
The current figure this year is 29 albums (out of 89 days). That is approx. 32% as many albums as days.
Some general rules for inclusion are:
- Only those albums listened to with attention and persistent intention are included there. Background music doesn’t count (though I find it hard not to pay at least a minimum of attention, and, admitedly, sometimes I listen to albums while programming). Relistens aren’t included - albums listened to must be new to my ears.
- Live concerts are included with a LIVE tag.
- I avoid song skipping, and generally keep it as a last resort. I try to be patient and allow myself to be surprised. If too many song skips happen the album doesn’t enter the list (happily, this doesn’t happen often).
- Albums are listened in one session, if possible, or in two sessions over the same day/consecutive days depending on length and external factors.
- I sometimes add notes (
N
). It depends on mood, whether I have a fun fact or commentary to make, and time. Dates
are in Arvelie format. Some days might be wrong before 00H00 due to manual calculation of arvelie format before coffee (now automatized).Breaks
(a subjectively significant amount of time not listening to anything new) are notated as well.

2025
03G05
Sobrevivendo no inferno - Racionais MC’s
N:
same. Intense, real lyrics, as @jandi described them.
03G05
Saturday Morning - Sonny Criss
N:
A fun fedirecommendation by @jandi & @BigGata, who are kindly sharing their love for music with me!
03G01
Enjoy yourlself - Melted Bodies
N:
Absolutely bonkers, unpredictable metal. Loved it.
03G01
The New No 2 - J. Davis Trio
N:
A recommendation by @jandi from the fediverse! Subtle jazzy grooves make for great hiphop from Chicago.
03F12
LIVE: KAMASI WASHINGTON
N:
AAAAAAAH it was AMAZING. The solos were great, he brought in DJ BATTLECAT, whom I didn’t know (I’m an instant fan though). He even signed me a t-shirt!! Off, it was amazing.
03F08
The Devil Isn’t Red - Hella
03F07
Daugthers - Daughters
N:
Fun to see their evolution to a more “industrial” sound, more produced.
PS:
Just realized I had listened to this album some years ago, and it’s in this log already. Ah well.
03F06
Borreroak baditu milaka aurpegi - Negu Gorriak
N:
Low-key one of the best album of the peninsula?
03F03
Cuestión de tiempo - Compota de Manana
N:
I’ve waited YEARS for this album. COMPÓTATE!
03F01
¿¡Dime Qué!? - Calle Real
03F00
Me lo gané - Calle Real
N:
They are, believe it or not, Swedish.
03E13
Crash Recoil - Surgeon
03E09
Uptown Saturday Night - Camp Lo
03E08
Clarity of Cal - Vulfpeck
N:
Fun as always
03E07
Carnivores - Plantfood
N:
First EP. Keep an eye on these ones.
03E06
Roboquarians, Vol 2 - Ayumi Ishito
03E03
Nací Mestizo - La Pambelé
N:
Salsa dura, not for the faint.
03E01
藤子 (Fujiko) - 野口文 (Bunn Noguchi)
03E00
Recurring (live at King’s Place) - Alfa Mist, Amina Quartet
03D13
Dance, no one’s watching - Ezra Collective
03D11
nothing - Louis Cole & Metropole Orkest
N:
Not what I expected from Louis Cole’s next album (in a good way)
03D10
Ipsos, Book of Angels Vol, 14 - John zorn + The Dreamers
03D09
The only way - Kaidi Tatham
N:
superb, as the rest of his discography.
03D07
Metrópolis - Marton Juhasz
03D07
Social Music - Conundrum
03D06
Moa Anbessa - Getatchew Mejuria, the Ex
N:
Weird! a Dutch punk band backs an ethiopian saxo jazz legend. I promise it works well!!
03D03
Sonicwonderland - Hiromi & Sonicwonder
03D01?
MYT - Moses Yoofee Trio
N:
Those drums live rent-free in my head. Also, transcribing from time to time bits of The Deep
’s mad saxo solo.
03B11
DOZIE! - Doza the Drum Dealer
[BREAK] Same than below
2024
02Z+01
Live For the Highest Bidder - Jacob Mann, Nick Campbell Destroys, Christian Euman
[BREAK] Rough end of year, I had to put listening to new music on hold for a while.
02O08
Dos Atomos - Dos Monos
N:
A Japanese, errr… hip hop, mmh… noise? avant-garde? experimental weird something. It was very fun to listen to: most of the time I didn’t see where it was going. It’s at the verge of being too much for me, kind of like Fire-Toolz, but juuuust chaotic enough to still make sense. I only wish I knew Japanese to understand the lyrics - aparently it’s a concept album about Japan’s post-nuclear identity.
02O08
The Severed Ear - Doza the Drum Dealer
N:
Nice! very imaginative beats. Quite unlike most of what I’ve heard lately in term of hip hop.
02N03
Drop 7 - Little Simz
N:
Effortlessly cool. Too short.
02N02
Realms’N’Reality - Cella Dwellas
02N01
Love Heart Cheat Code - Hiatus Kaiyote
N:
I fucking love Hiatus Kaiyote.
The album was amazing, as expected. I didn’t know I needed a version of White rabbit by them, for example. I also love that they brought the BMO voice actres for a song on-character.
02M10
Live at Glasshaus - Bilal (w/ ?uestlove, Robert Glasper, Burniss Travis)
N:
Jesus, what a lineup. Great album! By the way, there is a Dilla tribute mixed in there which was cool to hear.
02M03
Los Niños Perdidos - Emilio Reyna
N:
Very very cool! God bless Bandcamp.
02L12
Souvenirs d’un autre monde - Alcest
N:
A recommendation by a friend! A post-rock vibe from an ex-black-metal singer. Very 2000’s sound!
02L10
**** - Manolín ‘El doctor de la salsa’
02L03
African Rhythms - Randy Weston
02L01
Circuits - Chris Potter
N:
How the fuck did I sleep on him for so long? This is a super cool album! It even includes an Orchestre Poly-Rythmo tune! I’m sure I’ll go back to this album often.
02L01
Siembra - Willie Colón
N:
I love Willie Colón. I had listen to most of these songs of this album on their own, but never to the original. Super solid stuff! usually the afro-cuban albums are filled to the brims with fillers, but not a song is out of place in the whole album. Quite an achivement, and, overall, a very fun album.
02K13
ロック・ジョイント琵琶〜組曲 ふることふみ - Hiromasa Suzuki
N:
One of those rare instances when Spotify does recommend something interesting.
02K13
Fearless Movement - Kamashi Washington
N:
Great album, as expected. Fun to see André 3000 in there, fluting his way to the jazz world.
02K07
Live at Spotify - BadBadNotGood
N:
Actually very good.
02J02
Legend - Henry Cow
N:
It took me years to listen to this album, despite my love for classic prog. I… don’t think it has aged that well. I guess I was never a Canterbury prog fan.
02J01
Save the Last Human Being! - Sleepytime Gorilla Museum
N:
Includes This Heat version I love. I somehow didn’t notice this was released, and I love it.
02J00
Um Novo Tom - Michael Pipoquinha
N:
He’s a beast at the bass, but the rest of musicians are also amazing. Really fun stuff.
02H03
Sundial - Noname
N:
Amazing album, as usual. Noname is at the top of her game right now.
02H03
The Listening - Little Brother
N:
Of course, great beats (thank god for 9th and all that). It’s all we people listen to anyway.
(It’s a reference to the lyrics, in case you missed it - I liked the verses and flow a lot!)
02H02
The Book Beri’ah Vol 10. - Secret Chiefs 3, John Zorn
N:
Originally part of a 92 compilation of John Zorn music. It’s exactly what you would expect: a bit of klezmer/jazz/Middle-Eastern fusion with a side of metal.
[(LONG) BREAK]: I’m not sure of what to explore next, musically. This year will be much slower than others.
02C08
To The Jungle - Karriem Riggins
N:
A dub album! I should have seen it coming. It’s kind of like Nate Smith’s Pocket Change
in that it’s jut a collection of cool drum loops, so your interest will depend on the appreciation of these kind of barebone productions.
02C06
The room - Fabiano do Nascimento & Sam Gendel
N:
First album of the year. I had to slow down the whole january of this year, so I seldom listen to music. Fun album, though! As most of the stuff Sam Gendel puts out.
2023
01Y13
Big Sun - Chassol.
N:
Every second since four trillion years, the equivalent of ten trillions atomics bombs explode in the core of a gigantic ball of fire located one hundred and fifty [million] kilometers from here. It takes for its light exactly one hundred thousand years, one month and eight minutes to reach us. The sound of the sound of the sound of the sound. Off, what an intro. A spot-on recommendation.
01X01
Alone Together - Karriem Riggins
N:
Great producer. You can definitively hear why Dilla and him were friends.
01W08
LIVE: Steve Coleman & Reflex
N:
Yep, it was great. Chris Brown was at bass: he’s a beast, but also a great educator who keeps a bass lessons youtube channel. Steve Coleman is as mindblowing live as I expected, as well.
01W00
Scientific Dub - Scientist
01V13
LIVE: Nubya Garcia
N:
Off, it was a blast. It had Joe Armon-Jones at keys, Daniel Casimir at a dub-like sounding double-bass and a fabulous young drummer who was a beast but whose name sadly I’m not finding (not Sam Jones, the guy from the album and usual drummer of Nubya, but a woman with long curly hair). Next week I’m seem Steve Coleman, who is quite the number as well.
01U08
AOR - Ed Motta
N:
See below.
01U08
Poptical - Ed Motta
N:
Tremendous bass lines, but also overall very pleasent album (a mix of brazilian music, soul, funk and jazz).
01U07
The Circle Maker - Masada / John Zorn
N:
The whole Tzadik catalog is up in Spotify now so I’m having a blast. I could barely decide where to start!
01T10
Knower Forever - Knower
N:
The number of cool basslines, ridiculous keyboard solos and catchy funk hooks in Knower albums is ridiculous. Great album, as usual.
01T09
Stings - Kamaal Williams
N:
It’s a bit of a divided album: some tracks are hip-hop-like/funk/electronic, other are more like orchestral landscapes. I prefer the first, to be honest, but overall cool album anyway.
01T05
Timba a la americana - Harold López-Nussa
N:
It’s been a while since I last listened to some good Timba, though I love it. I wanted to get back to it these days.
01S08
En Kötü Iyi Olur - Lalalar
N:
Interesting piece of psychedelic-synth anatolian music. It has a very polished sound, mixing well traditional instruments and motives with rhythms in between the electronic and the
01S05
Mehliana: Taming the Dragon - Brad Mehldau & Mark Guiliana
N:
Ridiculous drumming and keyboard solos, as expected. Cool cover art too! It’s a mix of synthy sounds, spoken word and jazz: Guiliana’s BEAT MUSIC!
signature sound is all over it.
01P09
Crush - Floating Points
N:
Listening to less and less albums lately in comparison with other years, in part because I didn’t know what else to explore. I’ll probably end the year in around 80 albums. As for this album particularly, I didn’t know Floating Points so well, but I have friends who are big fans. It totally deserves it! It’s quite something.
[BREAK]
01N13
Me Paro Cuando Suena - Orquesta de las Nubes
N:
One of the most serious efforts to do palatable contemporary music in Spain. Half atmospheric landscapes (not so interesting), half bold experimenting. Voces
in particular, as a solkattu aficionado with a passing knowledge of the intricacies of the art, was an instant surprise since the first dun
syllable - even if it’s a bastardized version of it with not as much interest as the original thing. It reminds me, of all things, of Mike Patton’s reporpuse of konnakol/solkattu for AWOL Block Party 0600 Hrs.
, in his joint, weird and amazing album with the X-Ecutioners.
01N05
Trudy’s Songbook - Ruby Rushton
N:
Basically, Tenderlonious and friends doing their new UK jazz thing.
01N05
Solar Wind - Ramsey Lewis
N:
I was driven to the album after Ethan Hein’s blogpost about Summer Breeze, which is sampled in Little Simz’s Gorilla
. I also found the start of Hummingbirg
familiar: in this case, it was sampled in Aesop Rock’s Dog at the Door
(from the 2020 album Spirit World Field Guide).
01N02
Rádio Mistério - Pedro Martins
[BREAK]
01M00
The Omnichord Real Book - Meshell Ndegeocello
01L06
Archetype - Joe Armon-Jones, Maxwell Owin
[BREAK]
01K12
Gathering My Wits - Genital Shame
01K09
The craft - Blackalicious
01K08
LIVE: José Joaquín Aroca
N:
A local saxo player that does free improvisation. It was really fun - free improvisation is extremely hard to do right, but the ideas he played with were always consistent (even at its most atonal) and managed to land with plenty chutzpah.
01K04
Enigmatic Society - Dinner Party
N:
Another headbobber - it seems now they have finally embraced the name (see 00O11
; this is the same Terrace Martin / Robert Glasper / Kamasi Washington / 9th Wonder supergroup). Oh, and also: Phoelix (Noname’s producer) is there somewhere.
In their efforts not to outshine each other I think there is something left, because my memory of the self-titled album is that is was much stronger.
01K04
Iroko - Avishai Cohen, Abraham Rodriguez Jr.
N:
I’m a big fan of Avishai Cohen (at least when he’s not in one of his dad rock album phases). I like the fact that is a barebones album, with only voice, bass and latin percussion - it really brings up the best of Avishai’s melodic talents. Apparently they tour with a full band, sadly. I’m sure it loses some of its magic and the sort of intimacy you get when they have to fill each other’s gaps.
01K04
Nightclubbing - Grace Jones
N:
I admit I thought this album was going to be more interesting, given the iconic status of Grace Jones.
01K00
Aethiopes - billy woods
N:
Wow, pretty impressive. The tone is very consistent even when the samples couldn’t be drawn from more different places (I think I even heard some gamelan, could it be?). Producer Preservation did a great job here. As for the lyrics, they are hard to pick and obscure, but very literary. I’ll have to spend more time tearing them appart.
01K00
Known Unknowns - billy woods, Blockhead
N:
Arrived here through Aesop Rock (Blockhead is a common collaborator of his, and he gives a guest verse in Wonderful). I liked billy wood’s style.
01J13
Sonocardiogram - Daymé Arocena
N:
Damn I miss listening to Cuban music. I’ll make sure to do so in these days. I haven’t checked still who the bassist and key player are, by the way, but they are MAD.
You may have noticed I’ve slowed down in my usual listening habits. I’ve been giving a thought to work stuff so I have relied on familiar music.
01J03
Critical Mass - Dave Holland Quintet
01I12
Mister Magic - Grover Washington JR.
01I07
Liberation - Talib Kweli & Madlib
N:
Honestly I listened to this one because I like Madlib (I prefer Mos Def to Talib Kweli, though he’s madly talented as well).
01H12
Illmatic - Nas
N:
One of those ‘you like hip hop but never listened to X??’ albums. Not anymore.
01H05
CALL ME IF YOU GET LOST: The Stale Sale - Tyler, The Creator
N:
Wow, he keeps getting more and more impressive. I knew CMIYGL was one of those ‘instant classic’ albums, but I hadn’t given it a listen (despite loving Flower Boy and IGOR), so on the occassion of the deluxe version I jumped right in. It is indeed very good.
01H03
Bad Neighbor - MED, Blu, Madlib
N:
I haven’t listened to much new music lately, sadly, so this is my getting-back-into-the-habit attempt.
Minor music journalling notes aside: HOW THE FUCK DO YOU FLIP A SAMPLE LIKE IN THE STROLL
. Madlib is amazing and I’m forever in awe.
[BREAK]
01G06
Vol. 2 - Sebastiao Tapajos, Pedro Dos Santos
01G02
Vol. 1 - Sebastiao Tapajos, Pedro Dos Santos
N:
Lovely!
01G00
Idiom - Joe Armon-Jones, Maxwell Owin
01F13
Another Planet 4 - Phiik, Lungs/LoneSword
N:
A duo raps over drumless beats. Superb rhyme game and soundscapes.
01F05
Sankofa Season - Andrew Ashon, Kaidi Tatham
N:
I really like Kaidi Tatham - didn’t know about Andrew Ashon until this album.
01F05
Doo-bop - Miles Davis
N:
I want to get more into Miles. I read somewhere that this was vilified at the time and now it’s better considered. Well, it’s true that it’s note the most transcendental stuff out there by him, but hey, I liked it.
(Also: for a second I though Fantasy
sampled from If You Want Me To Stay
, or at least some other Sly & the Family Stone
song, but no - still, cool use of samples!)
01E13
Chromesthesia - Antoine Berjeaut
N:
I recently relistened to his album with Makaya McCraven, Moving Cities, and I fell in love again with it, so I decided to go explore the rest of his discography.
01E09
Ill Considered III - Ill Considered
01E05
Central Market - Tyondai Braxton
N:
This one was also recommended to me: a solo album by an ex-Battles member.
01E04
Never For Ever - Kate Bush
N:
A recommendation. I didn’t know much about Kate Bush, but yeah, it’s great! (and yeah, that includes Violin
, which I somehow hated for the first minute - as the song progressed I started loving it, so now I’m confused). I think I gave a passing listen to Hounds of Love one day, but now I’ll have to do it again more intently.
01D13
Szabadszág - Adela Mende
01D13
ANTI - Rihanna
N:
Arrived here through a reference to James Joint
in a spotify playlist in Hiatus Kaiyote’s - I can see why! it’s a very weird song (in the good sense). I was surprised by how coherent the sound of the album is. I expected it to be more disjointed, with a clear separation between the singles and the filler songs, but not at all (I mean, Work
is there, but it fits well with the rest). I liked it a lot!
01D12
Magma - Black Flower
N:
Around 2017, I was living in Barcelona and getting bass classes. Sick and tired of practicing forever in my bedoom, I resolved to get some real-world experience band. In one of these ocassions, I found a guy with very ample musical habits who recommended me this band. We didn’t play together for more than one or two sessions if I remember well, but it was interesting to find a fellow “crate” digger - now everytime I hear about this band I wonder how he’s doing.
As for the album itself: I personally liked Future Flora (their previous album) more, but it’s still an interesting listen if you are into fussion music (they are a mix of Ethiojazz and psychodelia-folkrock, though a fair warning: they hardly fit labels easily).
01D12
Mood Variant - Hiatus Kaiyote & Others
N:
A remix album of Mood Valiant. Great stuff. Makes me want to get into electronic music.
01D10
Break Stuff - Vijay Iyer Trio
N:
I’ve tried to get into Vijay Iyer several times, but something didn’t click for me (having only tried to listen to Historicity). I mean, I know he’s great, but I somehow didn’t understand the hype. Now I do, way better. I’ll keep exploring their discography.
01D10
Hyper-Dimensional Expansion Beam - The Comet Is Coming
01D05
Preludes / 4 Rhythmic Studies / Canteyodjaya - Messiaen (Håkon Austbø)
N:
Realizing some of my musical listening wishes mentioned in my 2022 musical recap.
01D04
Straight From The Gate - The Headhunters
N:
Nothing beats a 1977 vintage space-funk album.
01D04
The Main Ingredient - Pete Rock & C.L. Smooth
01D02
Supermane - MonoNeon
N:
I like the journey he’s taking - I think he’s gotten better and more confident at singing. He said in an interview: “Honestly, I don’t like my singing, but I sing anyway”, and I think that’s some A++ attitude. Rooting for you, MonoNeon!
(The Crop
has a very cool beat, by the way).
01D01
Za! & la TransMegaCobla - Za!
N:
A cobla
is a wind ensemble, traditional of Catalonia, that usually plays sardanas
. A TransMegaCobla is a, mmh, very big cobla, I guess, that plays more things than sardanas.
Za! is amazing and this album is some weird shit.
01C12
Thunder - Stanley Clarke, Victor Wooten, Marcus Miller
N:
I had a dire need for some bass porn.
01C11
Something Else - Tech N9ne
N:
It’s 2013 and Serj Tankian has a guest spot in a song (for the record, I used to be a Serj Tankian fanboy). Also: Snow Tha Product, proving that hace tiempo que le vengo dando
. I should explore her work more, I really liked her song in the Bizarrap session.
01C09
Blow Your Headphones - The Herbaliser
01C05
Alive in America - Steely Dan
01C04
Paranoia - Bobby Sparks II
N:
Embarrasingly, his previous album was so thight that for a time I was convinced that Bobby Sparks II was a drummer until I double-checked recently.
Some personal favourites are Dmsr
, Letter to Mumbai
, Good Morning America
’s solo (by the way: 4:56 here, and 4:21 in Reaper
), Pinky
. My only grip with this album is that it’s super long (I have to take it in several seatings, or else my attention drifts too much… and I don’t have that much free time lately).
01C02
Swanha (?) - Swanha Desvarieux
N:
The audio is very cracky, at least in the Spotify version. A shame, because Swanha has a beautiful voice and the instrumental backing is also top notch. I also found out she’s the sister of Jacob Desvarieux, co-founder of the Zouk genre. I barely know about Zouk, so it’s time to put that down in the to-listen list.
I’ve marked this album’s name with an interrogation because I’m not even sure it’s named Swanha. It’s listed like that in Spotify, but it’s called Cida (as in Cida Desvarieux) in Discogs. Minor point, though - go listen to it.
01C02
Digital Zandoli - Various artists
N:
Biguine Inferno
is F-U-N-K-Y in some many ways. Other highlights: Nou Ke Sa Enmew
(tremendous basslines), Mande Moin On Lajan, Pa Mande Moin Za Fe An Moin
(super fun). In general all of them are worth checking out.
01C02
LP! - JPEGMAFIA
01B12
Bird and Diz - Charlie Parker, Dizzy Gillespie
N:
I’m thinking of stepping up my (very limited) knowledge of bebop vocabulary if I ever get expand my (very limited as well) free time window, so this is the first step: listening carefully, and taking notes of the things I like (which I didn’t this time).
Also, about I Didn't Know What Time It Was
: I realized that’s the one covered in Tigran’s last album (I didn’t know the original!). I’ve had it stuck in my ear for a while now.
01B10
Cathexis - Denny Zeitlin
N:
Nice! Arrived to him through a mention in a video Youtube (on musicians with double careers).
01B09
Made Available: John Peele Sessions - This Heat
N:
I discovered Deceit a couple years, and I’ve been obsessed with This Heat ever since.
01B07
Remember That You Will Die - Polyphia
N:
A recommendation by a friend (of the group in general rather than this album in particular). I was expecting some kind of mathy prog metal, but turns out it’s closer to hip hop and sometimes jazzy harmonies than I expected. I was extremely pleased to see Anomalie’s freaky Quarantine Beat #1 developed into a fullfledged song (though I prefer the original 1m video).
01B07
Gaucho - Steely Dan
N:
Trying to dig more into their discography (so far I had only listened to Aja).
01B05
Nøll - The Canyon Observer
N:
They’ve gotten better with the years - more experimental and fun. Figura is much better.
01B03
Figura - The Canyon Observer
N:
2023’s first recommendation! A sludge metal band from Slovenia that kicks ass. Very weird lineup, including 2 violas (!!), according to my friend. Don’t hold a cup of tea while listening - you’ll drop it.
01B02
Don’t Sweat the Technique - Eric B. & Rakim
N:
Arrived to the album due to Ethan Hein’s analysis of Don't Sweat the Technique
’s beat (the song not the album is named after). Ended up listening to the whole thing.
01A12
Tour Beats Vol. 1 - Anteloper
01A12
Fly or Die - Jaime Branch
N:
Very listenable despite being avant-garde - that’s a rare feat. This albums will put you in a very specific mood.
Apparently she passed away last year, and that sucks. I liked her music.
01A10
東方不敗 - Tzusing
N:
I saw this techno album recommended somewhere on the internet. Electronic music (bar maybe Aphex Twin or Autechre) is a big blind spot for me, so it’ll take some time to get used to, but to the compliment of this album, I enjoyed it and found the textures interesting regardless.
01A10
Absolute Power - Tech N9ne
N:
Off, how the hell does one rap so fast. The themes fell a bit flat for my taste, though.
Apart from that, very weird samples sometimes (particularly, Slither
and Imma tell
caught me offguard). I didn’t know any of the producers, but I really dig some of the takes (like the beat in Worst Enemy
).
01A05
Pink Dolphin - Anteloper
N:
Wow, that was weird and wonderful. I’ll go down this rabbit hole soon.
01A05
Lupe Fiasco’s Food & Liquor - Lupe Fiasco
N:
Jesus, and this was only the debut album? Hell…
Also, eh, that’s Dexter Wansel’s Return to Mars
in The cool
! I realized later that I might have stumbled across this fact before while browsing whosampled, but I didn’t remember at all. Rechecking, I also see that’s the Funky drummer
drum loop (should have seen that coming…).
01A04
The Sun’s Tirade - Isaiah Rashad
N:
Going through the 2010’s hit hip hop albums, as you can see. All songs kind of bleeded one into each other for me, honestly. Not my jam, I think.
01A04
Acid Rap - Chance The Rapper
N:
I knew him only in passing - he’s good! I really liked the production. Very impressed by the fact that this was a mixtape distributed for free originally.
01A03
Salute To The Sun - Matthew Halsall
N:
First album of the year! A peaceful, meditative jazz album.
2022
00+00
Schwitz - Vulfpeck
Like a cup of warm tea on a sunday morning! Fun, sweet album to end the year.
00Z06
1000 Hurts - Shellac
00Z05
5 - Sault
N:
Appartently No thank you’s producer is called Inflo. Sault is his project, where he does… well, I don’t know, funky soul, or disco, or something in between that is quite unique. Will dive in their discography some day.
00Z05
No Thank You - Little Simz
N:
Really liked it! More than Sometimes I Might Be Introvert, which I know was a critical success but somehow rang less to me due to the orchestral tone. Superb production backing as well.
00Z04
Melt My Eyez See Your Future - Denzel Curry
N:
Super polished production. Also, impressive guests (Robert Glasper! and JID! and Karriem Riggins! )
00Y11
Where I’m meant to be - Ezra Collective
N:
Great as always. Fond memories of running with both previous albums by them back when I lived in Barcelona - Ezra Collective brings a very particular mood that I loved. Can’t wait to run to this one as well. Joe Armon-Jones killed it in Smile
, by the way.
00Y03
New Heavy - Dub Trio
N:
The usual: I knew their (excellent) 2019 album, but never ventured to listen the rest. Great, as expected.
00Y03
Lost in the Waves - LANDMVRKS
N:
Speaking with a friend, they said they discovered this Metalcore band recently. Not a big fan of the genre itself - but it’s a nice band considering that. There’s half-metal half-trap song in there in the album as well (!!). Say no word
was my favourite (and also the less clearly metalcore song). I like the singer’s voice. On the more negative side, it’s a bit uneven in interest - there are moments that caught my attention but some of the songs fall flat, and there is a general lack of cohession, I feel. Apparently they are very good in live concerts, though - I can imagine that.
00Y02
Float - Aesop Rock
N:
He’s not great producing, but I always liked his rapping. It verges on word salading sometimes, but even then I like it. When I’m paying half attention, it’s about the musicality and rhymes - when I want some brain-picking, I check the lyrics and marvel at the ingenuity. He’s gotten better at being clearer in the last albums though.
00Y01
Don’t rush the process - Kaidi Tatham
N:
Very very very funky - the previous album I listen by Kaidi Tatham (An Insight to All Minds, somewhere below in the list at the start of the year) was also excellent. Lots of amazing basslines, really great sounding synths and top-notch key lines.
00X13
Blue Blue - Sam Gendel
N:
Come on, this guy is ridiculous. He somehow manages to release a couple albums a year plus collaborations, and yet he always makes interesting, weird, groovy stuff. Not fun, Sam, I can’t keep up with your output.
Now slightly more seriously: I loved his albums with Wilkes, the Satin Doll album and even the extremely overwhelming 3:30h long Fresh Bread (I’ve given up on listening to that in any other way than small bursts). This one is great as well. Very focused on guitar sonorities, rather than the usual sax experimentations.
00X12
Since We Last Spoke - RJD2
N:
I had totally forgotten about RJD2! Instrumental hip hop is how I got into hip hop as a whole - there was a time when I was listening to both Endtroducing and Deadringer on loop. Thinking about that, I realized I never went forward in RJD2’s discography, repeatingly listening only to that debut (alright, and maybe also to 1976
).
00X12
Revolutionary Vol. 2 - Immortal Technique
N:
Yet another veteran rapper I find late. I had him pending ever since seeing a mention of him in Book of rhymes.
I like how he keeps clarity in the verses, and overall he flow nicely (and the beats! I liked the beats a lot). It’s one of the English-speaking rapppers I have less problem understanding without checking out his lyrics on the internet.
As for the more critic parts: he’s a bit preachy, and he edges in conspiracy themes sometimes (9/11 and such), but meh, I guess that I can live with. I don’t like though the way he slips in slurs in songs, and then uses Eminem’s usual defense: “that’s just the way people talk in the street”, “its not meant to be offensive”, etc. Lame excuse, if you ask me. I’m sure he can do better.
Other than that: a sizeable part of rap in Spain is left-leaning, so it was interesting to see what that looks like in the other side. Which is, as far as I know Spanish hip hop (and I admit I barely know a thing), more or less the same.
00X10
The Marshall Mathers LP2 - Eminem
N:
Started by the most recent supposedly ok album so that I can better appreciate the first Marshall Mathers LP (which is supposed to be a masterpiece and yada yada).
I have more than a fair share of problems with the album and Eminem in general - look, I’m almost ten years late into the conversation, comenting on an album with songs with 800 million reproductions by one of the most sucessful rappers ever, so I doubt I’ll say anything you didn’t know already. But regardless of those, I’ll say at least this: the technical virtuosity of some of the songs (Rap God
or Rhyme or Reason
) drops my jaw every single time, even when some of the verses are saying shit.
00X08
Special Effects - Tech N9ne
N:
Off, he’s amazing. I got into him via his Tiny Desk concert.
It’s incredible how many hip hop veterans I didn’t know about until very recently- I’m sure I would have loved Tech N9ne if I found out about him years ago. I also realized I never actually gave Eminem a go (he guests in my favourite track, Speedom
), even if I’ve know of him by name since high-school. Well, never too late I guess.
00X05
(A) Senile Animal - Melvins
00X03
We Travel The Spaceways - Sun Ra
N:
Varying recording quality - very short album as well.
00W12
Immutable - Messhugah
00W10
Chasing The Phantom - Dewa Alit & Gamelan Salukat
N:
Gamelan ticks a lot of boxes for me. I’m not a conneisseur, but in my head it lies in the same inexplicable category as Bartok’s quartets, post-80s King Crimson and Meshuggah, at least the kind of gamelan I like, so I wish I were because I really think it cause a rare kind of mood. Over time I’ve realized I lean towards the gong kebyar rather than the more atmospheric javanese or sudanese styles, but that about wraps up my gamelan experience.
It’s hard to come by gamelan albums, so most of my exposure to balinese gamelan is through old recordings. Modern twists on the gamelan (mostly from american people, oddly) don’t really do it for me, to be honest. It’s as if they choose the highlight the majestic and atmospheric landscapes rather than what I want from gamelan: thunderous patterns in unison, sudden shifts in dynamics, a sense of the theatrics. So I’m very glad to find a middle ground in this album - it’s at the same time familiar in its patterns and refreshing in the melodies. It really does feel like the natural continuation (and evolution) of tradition. Apparently, Dewa Alit’s ensemble (Gamelan Salukat, literally a set of instruments designed ex profeso) has a unique tuning system, and it sounds amazing.
Recommended.
00W07
CLAMOR - Maria Arnal i Marcel Bagés
N:
A recommendation. It relies on the mix of Maria’s strong voice lead and sense of the lyrical with a mamooth-sized ammount of top-notch studio production. Very good lyrics as well.
00W07
Tino Contreras y su grupo - Tino Contreras
N:
Legendary Mexican drummer now in Gilles Peterson’s label with an album that looks nice.
This one is a fun album released in 1980. The bassist (this guy called Leo Carrillo) takes almost a solo per song and that makes me happy.
00W07
Light As A Feather - Return to Forever
N:
I’m sure I have listened to fragments of this one years ago (apart from Spain
, that is), but counting this as new since it’s the first time that I give it a listen in a go.
[BREAK]
00W00
Songs of an Unknown Tongue - Zara McFarlane
00W00
Eternal Home - Fire-Toolz
N:
This was… intense. I don’t know how to define this album, it’s like a thousand genres all mixed up. I felt like when I was about 19 and listened for the first time to SikTh’s The Trees are Dead & Dried out, Wait for Something Wild: massive confussion, then understanding as my ear got used to the sounds and started to understand their vision. It was an interesting listen.
[BREAK]
00V05
(Kamil Manqus) - Muqata’a
N:
Off, this was a hard hitter!
00V05
Salar Salman - Salar Salman
N:
Catching up with the Bandcamp Daily newsletter this caught my attention. Quite unique.
00V05
A Sphere in the Heart of Silence - John Frusciante, Josh Klinghoffer
N:
It was recommended along with Noxagt, Dot Hacker: a friend is digging through Klinghoffer’s discography these days (thus the Dot Hacker album) and found this. Mostly synths + guitar, with the ocassional singing from both. The vocals are a bit too much for me - I liked the rest of the music more.
00V04
In These Times - Makaya McCraven
N:
A consumation of McCraven’s path towards making jazz hip-hopper, or really (really) jazzy hip-hop, or something in between that I really like and he calls being a beat scientist. His process is quite unique: he’s a jazzist that samples himself and his band, then post-produces those recordings, using techniques of a hip-hop producer in a jazz setting. He’s unique in what he’s doing.
In These Times was a ride and an absolute blast full of lush melodies and rhythms. And look, I’m not one to highlight a guitar solo easily. As a bassist I have a general irrational dislike for guitars with their unruly number of strings and tiny necks. So when I read in some reviews that the solo in The Knew Untitled
is fantastic I was more than skeptical. BUT. It. Is. I had my best stank face all through the solo. Though of course the best part of the album is the drumming - when it takes the spotlight, like in This place that place
, it’s rich and thight in very subtle ways. As with previous McCraven albums, it’s not always clear when something was cut, resampled or added in post-production (but that’s part of the magic - he makes everything sound organic).
Anyway, as you can imagine this ticks several of my boxes, so I really liked the album. I’ll probably be on a cave the next days trying to decipher what the hell is happening in there and why it sounds great.
(Also, an incise: I was surprised to know that Makaya McCraven’s mother, Zsigmondi Ágnes, was the singer of Kolinda, a Hungarian folk-rock music ensemble from the 70s that is amazing. Check out 1514, an album based on the tragic story of Dózsa György’s peasant revolution, if you don’t believe me. Apparently, Lullaby
’s melody was originally a song intended for Kolinda. The world of music is very small).
00V04
The iron Point - Noxagt
N:
I stand by my words. The viola makes it quite unique, and fits perfectly.
00V03
Noxagt - Noxagt
N:
A recommendation. Filthily ominous and fairly foul.
In all seriousness: it might sound counterintuitive, but it’s very easy to do a bad noise album. It involves playing a very thin line between what’s expected and familiar, and the uncomfortable, what’s structured rhythmically and groovy and what’s free and wild, the melodic and noisy, etc. I’ve heard more than one band overdoing it.
So, whenever I find a good noise-like band, what I’m expecting is this interplay between the groove, or the structure of the song, or a riff, and the surrounding dissonance. Noxagt plays well that thin line between expected and unexpectedness: for example, The Impious One
or Soft Sugar
play on trying to catch you off guard with a kind of limping rhythm. If you are used to bands like label mates Lightning Bolt you’ll love it. I was told also that other albums of them include a viola (!!). I’m putting some of them in the to-listen list for next time.
00V00
DAMN. - Kendrick Lamar
N:
I hadn’t listened to this one, despite the fame.
00U13
Drogas Wave - Lupe Fiasco
N:
I relistened the other day to Drill music in Zion and I was very suprised by the inventiveness of the lyrics. I sometimes have a hard time keeping track in verses (it’s particularly hard as a non-native speaker even paying as much attention as I can), and, since I barely know Lupe Fiasco, I was reading along the verses as they were happening, and oh boy, that was fun. What a wildly creative album. Very inventive storytelling devices, as well as excellent flow and sense of melody. I’m not too much into the production itself (it’s top notch, but not my thing), but the rest was super interesting to listen to. The context was also insightful, being the first album he produced outside the Atlantic Records label, where he was apparently creatively asphyxiated.
00U12
華麗なるエレクトーン (ザ・ワード) - セキトオ・シゲオ (Shigeo Sekito)
N:
Apparently, a famed electone player who released various jazzy album in the 70’s. It’s all the rage amongst elevator passengers.
Now, seriously, cool album. Interesting tone choice in most songs, but I don’t think I’ll revisit it soon.
00U11
Quality Over Opinion - Louis Cole
N:
Nice. Goofy, dramatic, self-concious and funky, all mixed. Classic Louis Cole fun (certainly as energetic as previous solo albums, though I prefer his work with Knower).
00U04
Empire Central - Snarky Puppy
N:
I didn’t noticed they released the new album already. Nice synths, I always forget how good Bobby Sparks and Justin Stanton are at their thing (that’s them in this album as well, right?). Stanton, for example, has a great album with synth renditions of a belgian sacral musician called Flor Peeters.
Other than that not much to comment: it’s a very run-of-the-mill Snarky Puppy album, meaning it’s full of into lengthy, jazzy funk jams. If you have listened to any other albums by them you might recognize some common melodic motifs here and there, specially in the horn section - as I was listening I was convinced I had heard some twists elsewhere in their discography. I think I’m allso missing a lot of the Dallas-centered subtext (or subaudio? i.e. winks to the city’s musical culture) here, but sincerily I don’t mind much.
00U04
the sound of listening - Mark Guiliana
N:
AAAAAH LAST MARK GUILIANA DROPPED! I was a big big fan of BEAT MUSIC! BEAT MUSIC! BEAT MUSIC!, and his previous work with Avishai Cohen, who hasn’t released anything as interesting as Continuo for a while, specially after his strange, if brief, foray into dad rock (sorry Avishai! I still think you are one of the best out there).
Mark Guiliana moves in between many musical languages. I like him best at his most electronic, but he can be very good at more straightforward jazz. In this case, Jason Rigby (saxophone) and Shai Maestro are on point on mostly meditative, sometimes deceptively simple compositions.
00U03
How’s your process - Dot Hacker
N:
A recommendation. Superb drumming, over kind of dreamy textures and sometimes unexpected harmonic movements.
00T10
Black Up - Shabazz Palaces
00T06
Shadows and Lights live concert, September 1979- Joni Mitchell, Pat Metheny, Jaco Pastorius, Michael Brecker
N:
Wow, what a dream line-up. I listened to this because it’s one of the most famed live performances of Jaco Pastorius (and yes, he’s at his peak). But I didn’t know Joni Mitchell - and she’s really amazing.
00T04
DREAMSCAPE - Jamaaladen Tacuma
N:
Found him through the Bandcamp daily.
00T03
Tri Repetae - Autechre
00T03
Perform the compositions of Sam Wilkes & Jacob Mann - Sam Wilkes & Jacob Mann
N:
In their line. Playful jazz-funk with heavy synth pressence. Very fun.
00T00
Aerolíneas Makiza - Makiza
N:
Eh, that’s Ana Tijoux! Nice to hear her, I like her flow.
I found this through the Sonidos Ocultos playlists. Sonidos Ocultos is a great gateway to the usually amazing Chilean musical scene. I’ve dug more than one gem from their website.
As for the album: it has very varying quality - I felt the album had some weak points, but it got increasingly good as it advanced. A couple really nice beats, and depending on who is rapping it get more or less virtuosistic. Overall I enjoyed the change to spanish-based hip hop. It’s impressive how much does the musicality and lyrical resources change depending on language. I think I’ll have a hard time adjusting to spanish rapping though. It feels a bit awkward sometimes.
00S13
Modal Soul - Nujabes
N:
I refuse to think of this as lo-fi hip-hop. Nothing lo-fi to it. It has a kinda melancholic vibe (almost all pieces feature heavy piano), sure, but so does Dilla sometimes and not, that doesn’t make him chillhop or whatever.
Having said that… big Wii vibes.
(Just kidding, it’s very good) (like the Wii music though).
00S11
Black Radio III - Robert Glasper
N:
Sweet. Mostly R&B, all of it very good, though I prefer the first Black Radio - some songs didn’t appeal much to me.
00S06
The Master - Rakim
N:
It’s a must. No wonder people consider him one of the best MCs of all time.
00S04
Cosmic Vortex - Weldon Irvine
00S03
Daughters - Daughters
N:
Daughters indeed.
00S03
Mos Def & Talib Kweli Are Black Star - Black Star (Mos Def, Talib Kweli)
00S01
Black on Both Sides - Mos Def
N:
A masterpiece. I had listened to most of the hits from the album (Ms. Fat Booty
, Mathematics
), but not the whole thing. Nothing I can say here that hasn’t been said elsewhere, other than that I have enjoyed it a lot and that I’ll be listening to most of its songs on repeat for a time.
00R12
Antiphon - Alfa Mist
N:
The only album by Alfa Mist I hadn’t listened, I think. Fantastic, organic blend of hip-hop grooves and jazz, as the rest. 7th October
screams Dilla time, with some funky polyrhythmic feeling to it as well - as if it were a copla de pie quebrado. I’m still trying to figure out how to understand the rhythm there.
00R11
The Best Of (Compilation) - Ekatarina Velika
N:
Please send help, I’m down the Yugoslavian music scene rabbit hole.
00R10
Povratak - Dah
N:
I mentioned a couple albums down that I love Erev Shel Shoshanim
. I went to the Wikipedia page to see how old it was, and I saw some obscure prog band from Yugoslavia had covered it as Sosana
. The second half of the album is better than the first, if you ask me. I enjoyed the last three tracks more than the rest.
00R10
Funky Snakefoot - Alphonse Mouzon
N:
Funky indeed. Extreme headbobber drumming (as expected, since Mouzon is a top league jazz-fussion drummer), and a strong synth game… paired with a not-so-great voice, sadly, at least to my taste.
00R10
Arbaah Kolot - The Voices Four
N:
I found this via its rendition of one of my favourite traditional jewish tunes, Erev Shel Shoshanim
, a tender, very popular ballad. Look: my favourite rendition keeps being that of Quilapayun & Victor Jara… but I was very surprised at the way they turn it almost funky. As for the rest of the album: it’s a folk album with many traditional jewish songs, usually with a twist or two. Way more animated than I expected: it has some horn arrangements and very danceable basslines (in a 1969 way). The vocal harmony is also remarkable (no wonder the group is called the Voices Four!). I’m not a big fan of folk usually, but I admit this album felt like a warm cup of chocolate: cozy and familiar. If you are into jewish folk, or just folk in general, you’ll enjoy it.
00R06
Tricks of the Shade - The Goats
N:
Apparently a forgotten masterpiece of 90’s hip-hop. It’s one of those weird-in-a-fun-way album. Full of very sardonic skits (contrary to my past comments about skits, I found these very funny - I mean, “Uncle Scam?” Don’t tell me that’s not deadly hilarious). Very unique, matching production - I recognize I didn’t pay that much attention to the verses, so that’ll mean a future revisit.
00R03
A Way Back - Joe Armon-Jones & Mala
N:
I wasn’t expecting a dub album. It’s good, but I’m not sure it plays on all the strenghts that Joe Armon-Jones showed in Turn to Clear View, at least in the first two tracks. All Ways
or The Truth
give more leeway to the keyboards; the more they shine the stronger the head-bob, and the better they integrate with the fat bass and drums. A more prominent place in the mix would have helped, maybe?
I also liked A Way Back
, despite my complains, and overall if you are into dub it’s right up your alley.
00R03
Hot Buttered Soul - Isaac Hayes
00R03
African Rhythms - Oneness of Juju
N:
Of Welcome 2 Detroit fame. Fun album, sometimes a bit weird, but in a good 70’s jazz-funk way. It has a Headhunters vibe, and excellent musicianship.
00R00
Dream Interrupted - Glaxo Babies
N:
I have a very soft spot for post-punk. One of the most unique groups I’ve ever heard in the genre is Maximum Joy, a group that for some reason only produced ridiculously infeccious funk and dub grooves while keeping the general anti-establishment vibe. Glaxo Babies is where some of the members of Maximum Joy started, and one can see the roots here and there (I mean, there’s even a song called Maximum Sexual Joy
… ). This is a compilation that apparently leaves out some of the most experimental songs (a shame!…). Anyway, it was a nice introduction to them. I’ll check the rest of the discography one day.
00R00
Masters of the Universe - Binary Star
N:
This album was in my pending liste since I listened to One Be Lo/Onemanarmy’s great Sonogram. I liked this one a lot. Some of the less listened tracks, like Fellowship
and Glen Close
, caught me a bit offguard. A little gem that shouldn’t be forgotten, and a lesson.
00Q11
Bright Size Life - Pat Metheny
N:
With a very young Jaco Pastorius at bass.
00Q11
Pljuni Istini u Oci - Buldožer
N:
A recommendation from a friend - a classic album of the Yugoslavian 70’s prog scene. A very zappaesque, psychedelic, bluesy and humorous album. According to some reviewers on the internet the lyrics are hilarious - sadly (or happily?) they are in serbo-croatian (except the last moment of the disc: a very felt “No, I don’t wanna be a paraplegic, baby”… lol). Very unique in that sense.
00Q10
THE MOUSE & THE MASK - DANGERDOOM: MF DOOM & Danger Mouse
N:
I wasn’t aware of this one! I’m an MF DOOM fan, but always passed on this one because I didn’t know who this Danger Mouse guy was. As soon as I listened to Cheat Codes and became aware of him I checked his discography and found this album with MF DOOM that I had somehow ignored all this time.
The only problem I have with this albums are the Adult Swim skits. I’m not a fan, but well, I recognize it’s playing on a long-standing tradition in hip-hop and paying homage to the influence of cartoon music in it. And I like Adult Swim, so I’ll live with it.
A shame, because otherwise I’d have this album in loop for hours.
Nah, what the hell, I’m going to do that anyway.
00Q10
Cheat Codes - Danger Mouse & Black Thought
N:
Really enjoyed it. Top notch sampling and lyrical flow game, of course. Funny how you can listen to someone in so many projects I’ve known for a while (Gnars Barkley, the Demon Days album) and only realize who’s behind so much time later. Anyway, a superb album.
00Q10
Star Walk - Larry Graham & Graham Central Station
N:
Ridiculous album cover. I love it.
00Q06
Straight Life - Freddie Hubbard
00Q04
Red Clay - Freddie Hubbard
N:
First album after a long stretch of time where I mostly abstained from listening to albums. I hadn’t listened to this classic so it was a great way to come back to the habit.
[BREAK]
00P04
Live (1993) - Bob Cock and The Yellow Sock
N:
They suck.
00O13
Snuh - Qui
N:
A second recommendation. What the fuck did I listen to and why is sort of catchy? It’s like avant-gardish harsh sounds with actually singable, memorable melodies and very varying moods. Apparently it’s only two people! Weird stuff - check it out.
00O13
Blue Fat Pussy - hepa.Titus
N:
A recommendation by a friend - cool album! It had been a time since I heard some hard stuff and I enjoyed it a lot. I should get into post-punk stuff more often.
00O11
Dinner Party - Dinner Party (Terrace Martin & Robert Glasper & 9th Wonder & Kamasi Washington)
N:
Very tasty. Headbobber after headbobber. Not surprising given the stellar lineup.
00O10
Labcabincalifornia - The Pharcyde
N:
The best tracks have Dilla’s touch, of course. Otherwise a good album, but I’ve read the previous one was better. It lost me a couple times so I’ll try to give it a go at some point.
00O10
E.S.P. - Miles Davis
00O08
Voice - Hiromi, Anthony Jackson, Simon Phillips
N:
I got a recomendation from a friend - I had listened Alive, but not this one. It’s a great album - I’ll relisten to it soon, for sure.
00O08
Mononeon Farts Live In Memphis - Mononeon
N:
I prefer him in the studio, or with Ghost-Note. Otherwise I’m a big fan though.
00O06
Drukqs- Aphex Twin
N:
It took me an embarrasing amount of time to listen to this album, considering I really like Aphex Twin.
Apparently the album is such a mixed bag of genres because it’s the product of Aphex Twin forgetting an MP3 with unreleased songs in an airplane.
(Funnily, Aphex Twin himself said that You could listen to all of it in one go, but I think you’d be dead if you did
. Yes, I did take it in one day, if not one go, and, yes, it killed me a bit inside.)
00O04
What The World Is Coming To - Dexter Wansel
N:
Life on Mars is better, but still a cool album.
00O03
Life on Mars - Dexter Wansel
N:
You should go there, it is so nice, Mars~
00O00
The Funky Side of Life - Sound Directions (aka Madlib)
N:
Sick drumming provided by “Sloppy” Joe Johnson.
00O00
Overstand - Apifera
N:
Very unique sound, synthy psychedelic jazz-like album. This could have been an insufferable mix, but the way the album is equilibrated makes for a much more interesting exploration.
00O00
Siempre Afro-Latino - Los Kenya
N:
Superb salsa album, reedited recently.
00O00
Walking Backwards - Clutchy Hopkins
N:
Sounds a bit like a Latin Playboys album without vocals. Very T H I G H T drumms and lots of bass chords and kind of melancholic instrumentation. Less funkyfied maybe than the other albums but you can notice a strong hip-hop sensibility behind most tracks. Whoever is Clutchy Hopkins, they know what they are doing.
00N13
S.O.N.O.G.R.A.M. - One Be Lo
N:
Criminally underrated album and rapper.
00N13
Cee-lo Green… Is The Soul Machine - Ceelo Green
N:
Weird at some points, at others just soulful. Cool album. I knew Ceelo Green from the radio and Gnarls Barkley, but I wasn’t aware of this album. Found it through Book of rhymes, specifically on the bit of Childz Play
being in 6/8 (well, it said 3/4, but that’s not true). That song ought to be one of the weirdest beats I’ve heard, and both of them Ceelo and Ludacris were killing.
00N12
The miseducation of Lauryn Hill - Lauryn Hill
N:
I was excited to see what Lauryn Hill’s solo career looked like. I liked the Fugees
album a lot, and I thought I’d enjoy this album at least as much. I can see why people think of it as a masterpiece, and Lauryn Hill is amazing in it, but I think I preferred the Fugees. If I’m honest, I also think this album hasn’t aged as well as, say, D’Angelo’s.
In a more meta note, I found out about Lauryn Hill being so big in her day these days. Having kind of disappeared from the public spotlight since the early 2000’s, I guess I was too young to know her. Still, it’s odd, because I’m discovering for myself what most people in the USA have heard millions of times, according to Spotify’s stats, so she must have lots of fans still.
00N12
Drill Music in Zion - Lupe Fiasco
N:
I barely know Lupe Fiasco, so I wasn’t expecting anything in particular here. I’m not always too much of a fan of the production, but I dig the lyricism.
PS (00U12):
I revisited this one and actually is far better than I remembered. Very clever verses - I think I was too fixated on the beats back in the day.
00N11
The Score - Fugees
N:
I didn’t know about them before reading an analysis in Book of rhymes. Lauryn Hyll has an amazing delivery. Very peculiar production style also. Apparently a big hit album in the 90’s; I can see why. Not surprised it’s the first time I hear about it considering how little of hip-hop culture arrives to Spain (used to?), even as I’m trying to get more versed (ha!) in hip-hop’s history.
00N06
Graduation - Kanye West
N:
I had listened to his latter stuff, but not to the early days. So today I decided to track it down to the speed-up soul sampling times, starting by the more ‘anthemic’ album and maybe tackling some of the previous ones tomorrow (Edit: it didn’t happen, but it will at some point).
00N06
Live at the Red Garter, Vol. 1 - Faina All Stars
N:
Fun, but probably more so for a fanboy of everyone involved in Faina All Stars than anyone else. Not for the first-time latin music listener.
00N05
2 - Roberto Roena y su Apollo Sound
N:
Agua! Very good album. Lots of sampleable bits, if you are into that. If not, you’ll enjoy a very healthy mix of funk and salsa. A little gem from the legendary Faina Records. Of course, aparently Roberto Roena was part of the Faina All Stars, so I’m anotating that for tomorrow’s listening session.
00N04
Tremenda - Rosario La Tremendita
N:
Rosario La Tremendita keeps the flamenco registry while synthy or heavily processed instrumental things happen. It’s alright and it has some interesting moments… but I didn’t love it, maybe because I have a hard time listening to flamenco to start with. I have much ear to train to the style. Anyway: It’s always nice to see flamenco exploring new directions, and it’s a well-integrated effort, so if you enjoy forward-moving flamencoor a strong cantaora style you’ll like it.
00N04
Delirium Tremens - Rosario La Tremendita
N:
Nice jazz-flamenco album. Rosario La Tremendita has a great voice, and the instrumentation knows to take a second place. I’ve seen her in some videos in a voice+bass and drums setup and I was expecting that, to be honest. I think the lack of a full jazz backing band makes for more interesting arrangements.
[BREAK]
00M10
Fo Kronn La Vi - Meddy Gerville
N:
First: the person playing bass here isn’t human. What an absolute funk machine. And the rest aren’t behind.
Second: what a criminally underplayed album. It’s a top-notch caribbean jazz effort with barely some thousand listens in Spotify. It deserves way more. It has some very unique rhythmic moments, songs in Réunion Creole and amazing musicianship.
And slap bass. Lots of very tasteful slap bass.
00M10
Up-Tight Everything’s Alright - Stevie Wonder
N:
I want to sample Music Talk
so badly.
00M10
Ruby Vroom - Soul Coughing
N:
At times playful, at other avant-gardish. My favourite bits are the samples, always a bit at odds with the rest of the band. In general the choice of samples is very creative, pulling some harmonic/melodic tension into a thight rhythm setup that tends to be groove-oriented. As for the frontman: I’m usually not one to love the spoken-word delivery, but it really works here. I wasn’t very convinced when I started the album, but it has grown on me as it developed.
00M10
Black Bombaim & Peter Brötzmann - Black Bombaim, Peter Brötzmann
N:
Very very cool album. Five tracks of wild free jazz saxophone improvisations over a psychedelic stoner rock solid bedrock. It’s a blast.
Play it with your volume notch at 12.
00M08
LIVE: WILCO
N:
I’m not a huge fan or anything (I hadn’t heard much of them before going) but it was fun.
00M06
Yankee Hotel Foxtrot - Wilco
N:
In preparation for their concert. I read this was their most famous album.
00M06
Montero - Lil Nas X
N:
Not my favourite sound (too pop-friendly for my taste), but alright, it’s a nice album.
00M06
Flam! Blam! Pan-Asian MicroJam! - David Fiuczynski
N:
You have to take this one with attention and patience. It’s supposed to be an homage to Messiaen and J Dilla (!!), so it keeps offering ideas.
As microtonal experiments go, Wendy Carlos Beauty in the Beast and King Gizzard’s Flying Microtonal Banana keep being my favourite most coherent efforts though.
00M03
Apocalypse - Thundercat
N:
The only album by Thundercat I hadn’t checked before.
00L12
Mr. Morale & the Big Steppers - Kendrick Lamar
N:
I agree with other people in that it sounds a bit uneven, and some songs have their own, particular problems. We cry together
is interesting, I guess, but I won’t go through an scenified couple fight again, thanks - and the issues here and there with Auntie Diaries
can be overlooked because the message is positive. Your mileage on that might vary, and that’s only my humble opinion.
Still, overall the album is really good (as expected from Lamar), compeling, and emotional.
00L11
Malibu - Anderson .Paak
N:
I prefer Ventura, but I like it a lot. Listened to it mostly due to the discovery of the Hiatus Kaiyote Molasses
sample in Without you
. It took me about a minute to get used to hearing it as a loop with that drumming.
Also:Come down
. I’m in love with that bassline. I’ve been since I first heard it around 2018. I remember picking the bass inmediately to learn it.
00L07
Pray For Me I Don’t Fit In - Melt Yourself Down
00L07
Mood Valiant - Hiatus Kaiyote
N:
Loved it as well.
00L03
Anadolu Pop - Moğollar
N:
This album is a gem please give it a listen. Despite the name it’s an instrumental psychedelic folk rock album. Expect lots of folk-sounding melodies, a Hammond piano and a nice bassist.
00L01
PRhyme 2 - PRhyme
00L00
Beats That Collected Dust Vol. 2 - DJ Premier
00K12
Beats That Collected Dust Vol. 1 - DJ Premier
N:
Learning a lot from these.
00K11
The Pleasure Principle - Gary Neuman
00K11
Molasses - Eddie Palmieri
00K07
Violator - Depeche Mode
N:
I saw one of the members (Andrew Fletcher) had died, and suddenly realized I never listened to a whole Depeche Mode album.
00K06
Skylla - Ruth Gollers
N:
Wow, I wasn’t prepared for this. Super interesting melodies, the detuning thing makes it sound out but I’m impressed with how well it works. Big fan. I realized also that Ruth Goller played bass in Melt Yourself Down and Acoustic Ladyland after listening to the album. I love both and loved lots of the basslines, so now I have a pending task to go back to those and check where did RG play, maybe learn a couple lines.
00K06
Everybody Digs Bill Evans - Bill Evans Trio
00K06
Dark Matter - Moses Boyd
N:
I thought I had listened to this, but actually no. Nice album.
00K05
Resistance - Brandon Coleman
00K03
Master of Disgust… - Gonemage
N:
Metal-chiptune thematic album about Wario.
Nothing else to say.
00K00
Tawk Tomahawk - Hiatus Kaiyote
N:
It breaks my head and I love it.
00J12
Choose Your Weapon - Hiatus Kaiyote
N:
Wow. This album blew my mind. The drumming, hell. Instant favourite.
With it I also finished my reading/listening combo of Dilla Time. What an amazing book.
00J11
Nafs at Peace - Jaubi
N:
I liked it a lot. Found this album through music is my sanctuary’s review, and wasn’t disappointed.
00J11
Around the Fur - Deftones
00J11
NOW - Damon Locks & Black Monument Ensemble
00J10
Yancey Boys - Illa J
N:
I wanted to kind of like this album, given the bad fame it has - I get it’s a grieving work, and a first album with too many expectations to match the talent of his brother. But: sadly, I didn’t find it too interesting either. Sorry
00J10
Suite for Ma Dukes - Miguel Atwood-Ferguson & Orchestra
N:
Only interesting at moments. I appreciate the feeling of conversation with Dilla’s work… but I’ll stick to the originals, thank you. Also, kind of covering/arranging Dilla’s music for orchestra takes away from the whole beauty of sampling: music as pure sound, where any and all timbre hcan be reinterpreted as music. I mean: I enjoy instrumental beats as much as anyone (as a non-native speaker of english, sometimes even more than the verses!), but what I like most of it is probably is the diversity of sounds it brings, and the ways it can susprise me with a world of creativity without seeming limits. Backxwash can take a whole metal tradition, in principle removed from hip hop’s sound, sample it, and transform it into a unique sound; Death Grips can recontextualize harsh sounds to a musical context ; Dj Premier can produce some sick beat for the Korean Dynamic duo, and that’s all within a similar tradition. Hell, Dilla himself was fond of (rico suave) bossa nova
, to pick one particular sound. Maybe I didn’t enjoy much this because for years I’ve been saturated with these classical orchestra sonorities, and I’ve grown too tired of them. Or maybe it’s that orchestral arrangements of Dilla’s work are a reduction - if you like, a downsampling of texture diversity.
I mean, the same could be said of The Roots or Glasper tributes, maybe, but they feel more contained (and thus connected) - and Dilla’s influence can be sensed elsewhere in their work as well. My favourite homage to Dilla keeps being Madlib’s.
00J06
Power Station - Cory Wong
00J05
Greatest Hits, Vol. 3 - Jacob Mann Big Band
N:
Amazing as usual from Jacob Mann (plus, Louis Cole and Sam Wilkes at drums and bass at half the tracks).
00J03
Dos Gildn Bletl - Mamaliga
00J03
Wameed - Kamilya Jubran / Werner Hasler
N:
I have no clue how this album reached my pending albums list (but glad it did)
00J00
StandArt - Tigran Hamasyan
N:
I totally missed this release. Really digging it. I was thinking about transcribing a couple solos from it. If it happens, I’ll make sure to post the transcriptions here.
00J00
Ifrikya - Karim Ziad
N:
Very cool blend of gnawa and rai sounds with jazz. Kind of reminded me of Tigran Hamasyan (see next entry).
00J00
Computer World - Kraftwerk
00J00
Welcome 2 Detroid - Jay Day/J Dilla
N:
I thought I had listened already to the whole thing, but it turns out I had only heard specific songs.
00J00
Beat Konducta Vol. 5-6: Dil Cosby & Dil Withers Suite - Madlib
N:
I was getting into the last chapters of Dilla Time - the homages and posterior influences. This was a beast of an homage album that has taken me various days to digest - so many ideas and different moods. I loved every second of it.
00I11
Calls for Action - Harish Raghavan
00I11
The least we can do is wave to each other - Van Der Graaf Generator
N:
I cringed. This hasn’t aged well. There were some interesting moments though, but I confirm I’m not a fan of VDGG (despite my affition to prog).
00I11
Talking Timbuktu - Ali Farka Touré (with Ry Cooder)
00I10
Galerie - Anomalie
N:
Always been a big fan of Anomalie’s stuff. Great album.
00I08
Champion sound - Jaylib
N:
Technically a relisten, but reading Dilla Time has given me so much more context and tools to understand this album.
00I06
Diwan - Rachid Taha
00I06
- Miles Smiles - Miles Davis
00I04
Amplified - Q-Tip
N:
Still Dilla Time. Also, an unexpected Giant Steps
sample made me laugh out loud.
00I03
Fan-Tas-Tic, Vol. 2 - Slum Village
N:
Dilla Time.
00I00
A thousand skies - Clap! Clap!
00I00
nijimusi - OOIOO
N:
(Yes, I wanted to listen to listen to OOIOO on 00I00…)
00H13
A Promise - Xiu Xiu
00H12
Fan-Tas-Tic, Vol 1 - Slum Village
N:
You guessed it: Dilla Time.
00H12
Beats, Rhymes & Life - A Tribe Called Quest
N:
Yep, still on it.
00H12
The Coming - Busta Rhymes
N:
Following the traces of Jay Dee over the history of hip hop.
00H11
OIL OF EVERY PEARL’s UN-INSIDES - SOPHIE
N:
First time I check what’s the deal with hyper-pop. Now I absolutely get it. Also: amazing album name.
00H11
The Miracle of Sound in Motion - Steel Pole Bath Tub
N:
Fun trivia: one of the members went on to be the musician behind many of Valve’s main hit videogames (such as Portal).
00H10
Mecca and the Soul Brother - Pete Rock & C.L. Smooth
N:
Pete Rock is amazing and I’m ashamed I didn’t know him before.
00H06
LIVE: El altar del Holocausto
N:
I know I know, awful name. I was expecting something way worse, but it turns out they play instrumental post-rock mocking Christian imaginery, so it was fun. Para más inri, this day was Jueves Santo (untranslatable pun fully intended).
00H06
La Jungle - La Jungle
N:
Fun
00H00
Power of soul - Idris Muhammad
00G13
Secluded in Light - Arun Ghosh
00G12
Voyage - Tapioca
00G11
Love and Hate in a Different Time - Gabriels
00G11
IGOR - Tyler, The Creator
N:
How the fuck did I miss this one so far? Will re-listen soon
00G11
Lope and Antilope - Get the Blessing
00G10
Black Rhythm Revolution - Idris Muhammad
00G10
Jacaranda - Luiz Bonfá
00G10
Turn This Mutha Out - Idris Muhammad
00G10
Ruff Draft - J Dilla
N:
Preparing myself to read Dilla Time
00G10
Motomami - Rosalía
00G06
Elis - Elis Regina
00G06
Maxinquaye - Tricky
00G06
The life of Clutchy Hopkins - Clutchy Hopkins
N:
The smoothness of this should be illegal
00G06
Allah ya so - Mahmoud Guinia
00G05
When the black hand touches you - Lukah
00F12
Take me to your leader - King Geedorah
00F05
Icebox - Clutchy Hopkins
00F01
LIVE: Chano Domínguez
00E07
El que corta el bacalao - Soneros All Star
00E07
El alimento - Cimafunk
00E07
Te lo dije - Harold López-Nussa
00E06
An Insight to All Minds - Kaidi Tatham
N:
Great mix of genres. Lots of interesting basslines.
00E02
Sextet/six marimbas - Steve Reich
00E02
Nothing else - Lorn
00E00
LIVE: Carles Benavent, Jorge Pardo, Tino Di Geraldo
00E00
A time for healing - The Kahil El’Zabar Quartet
N:
Great transcribing material.
00D13
Aretha - Aretha Franklin (1980)
N:
With one of the three holy trinities of Aretha: Fosters, canadian for Funk
.
00D13
Лавка Чудес (Lavka Čudes) - Високосное лето (Visokosnoje leto)
N:
1977 was a wild year to release a psychedelic rock album (in the URSS!).
00D12
Paco and John Live at Montreux 1987 - Paco de Lucía, John McLaughlin
N:
New favourite
00D12
- Klezmer Music: Early Yiddish Instrumental music (1908-1927) - Various artists
N:
Includes a version of Der gassen nigen
under the name National Hora
, played by Abe & Sylvia Schwartz.
00D11
Static - Artur Hnatek Trio
00D10
Magma - Black Flower
00D08
LIVE: Karmacadabra + Bosco
N:
First concert that felt like what pre-pandemic live music used to be. Lots of fun.
00D07
Gilles Peterson presents: MV4 (live from Maida Vale) - Various (Joe Armon-Jones, Ishmael ensemble, etc)
00D06
Yasuke - Flying Lotus
00D06
O Tempo de Tudo - Joao Braga
00D05
Black to the future - Sons of Kemet
00D05
Sorcerer - Miles Davis
[BREAK]
00A11
Dizzy Strange Summer - Genevieve Artadi
00A10
SONGWRIGHTS APOTHECARY LAB - Esperanza Spalding
N:
Great material for transcribing. Loved it.
00A10
Sinner’s Syndrome - Moderator